Poets and rhymers of the world, welcome to the International WrapperRhyme Challenge!
Our aim is to extend the reach of this enjoyable artform, culminating in a major exhibition/installation at StAnza, Scotland's Poetry Festival, in 2020.
(If you can't be bothered to read the rationale and the tips on best pens for the job — currently Artline Garden Marker — just go straight to the entry form).
Red Squirrel Press has just published some of my own WrapperRhymes. (I'm offering a unique, hand-written WrapperRhyme inside Branded sold via this website and — for those of you in or near Glasgow — there's a WrapperRhyme launch event at the CCA on the 18th of this month).
But the WrapperRhyme challenge is really not about me.
As a poetry editor/publisher, I want to encourage people to rhyme, and rhyme well. It saddens me that rhyming is generally 'out' these days, despite the persuasive words of ace-rhymer A. E. Stallings, and the bizarre popularity of the villanelle. You may even have read that English is 'rhyme-poor', compared to French and Italian. Bollocks! All you need is practice and determination.
So what is a WrapperRhyme? Nick Asbury, together with Glasgow's independent design studio Effektive, coined the term in 2011, after seeing an example by Ted Hughes written on the paper wrapping of a Tunnock's Caramel Wafer. This inspired a WrapperRhyme Tumblr site, to which poets were invited to contribute (https://wrapperrhymes-blog.tumblr.com).
Alas, that wonderful WrapperRhyme site is no longer accepting contributions. But I am.
I want to attract WrapperRhymes (your very best, please) on food/beverage product wrappers from all over the world. These will be used to create an exhibition/installation at StAnza, Scotland's International Poetry Festival, in March 2020.
Is this just silliness? Emphatically not. Like any other bit of lightness, it can be done badly, or well. My own attempts vary, but I'm smug about the best of them.
There's an educative benefit too. WrapperRhyming makes you really look at packaging. Lists of ingredients provide fascination/horror/inspiration. You compare different brand designs. You pick up on rhythmic/alliterative marketing text.Before you know it, you find yourself researching the history of chocolate bar wrapping.
And you begin to notice what can be written on, and what can't. Potato snack packets are almost impossible. The flimsy plastic surrounding most chocolate bars is daunting. In Ted Hughes's day most food wrapping had a paper component. Now it's not so simple.
Any committed WrapperRhymer requires a suitable writing implement. I turned to Cultpens, who meet and exceed the promise of their strapline —'the widest range of pens on the planet'. So far, the only pen I have found which will write on almost anything is an Artline Garden Marker (a snip at £2.03). But you could choose to write on the packaging of Toblerone, or Terry's Chocolate Orange. Cardboard — easypeasy.
To date, I have WrapperRhymed on the paper sleeves of tins of tomatoes, baked beans, the labels of jars of beetroot and chutney, the cardboard wrapping of 'readymeals', butter paper, stock cube wrappers, frozen pea packets, and instant pastry. I have read the marketing text on each with minute interest and occasional horror.
Entries to the WrapperRhyme challenge are warmly welcomed from all ages, locations, and languages (but if not English, please provide a translation). They must be accompanied by an entry form (so that you give permission for your rhyme to be used in the exhibition) and of course they have to comply with the rules. The closing date is 25.12.2019.
If you need more information, send an email (but read the entry form and rules first). No limit to number of submissions.
Please share this opportunity and any of your WrapperRhyme creations as widely as you possibly can (#HapWrap).
For International WrapperRhyme Entry form, click here.